Filip Bajon

Director of the “KADR” Film Studio since February 2015.

Film and theater director, screenwriter, prose writer, Professor of Film Arts (2012).

Since 1970, he has been writing short stories printed in literary journals. In 1971 he published his first novel, entitled “Polar Bears Do Not Like Sunny Weather/Białe niedźwiedzie nie lubią słonecznej pogody”. He also published a collection of short stories “Come with Me to the Top/Proszę za mną na gore” (1972), novels – “Series Entitled/Serial pod tytułem” (1974), “Listening/Podsłuch” (1994) and “Shadow of the Day/Cień po dniu” (2006), as well as a number of screenplays.

His most interesting theatrical productions include: The Life of Worms by Per Olov Enquist staged at Scena na Piętrze Theatre in Poznań, Anton Chekhov's Platonov at the Stary Theatre in Krakow and The Madness of King George by Alan Bennett at the Dramatyczny Theatre in Warsaw. In the 1990s, he was the head of the film Film Studio “Dom”. He is also a lecturer at the Department of Radio and Television at the University of Silesia in Katowice and Łódź Film School (since 2008 – Dean of the Directing Department). He is a Member of the Board of the Polish Filmmakers Association. He also directs TV productions. In the 1990s, he was the head of the film “DOM” Film Studio. He is a Member of the Board of the Polish Filmmakers Association and a lecturer at the Department of Radio and Television at the University of Silesia in Katowice and Łódź Film School (since 2008 – Dean of the Directing Department).

Bajon has directed among others: Aria dla Atlety (1979), Inspection of the Crime Scene 1901 (1980), Wahadełko (1981), Daimler- Benz Limousine (1981), Magnate (1986), The Repetition from Konrad (1981), Sauna (1992), Poznań 56 (1996), The Count (1998), Przedwiośnie (2001), Maiden Vows (2010), Panie Dulskie (2015).